Because you took something away from yourself
Come back to this world and take your heart to higher shelf
Is there such a thing as falling in love with a voice? Can you have a relationship with a person who you have never spoken to or seen in real life? I mean, can something like this really work? If it would, I’d totally fall for Holly Fletcher! The voice and brains behind Låpsley! Today she released her 4 track ‘Understudy EP’ and heck, it is one brilliant piece of music.
Lead track ‘Falling Short’ has been causing waves in the blogosphere for a couple of months now, and it was inevitable that some hot label would pick her up. It’s a tasteful recap of a breaking heart, completed by subtle piano chords, finger snapping and electronic beat fragments. Above all sits Fletcher’s voice. It’s so intimate that it could break the iceberg that sunk the Titanic. Second song ‘Brownlow’ picks up the same ingredients but adds haunting sounds and a life embracing organ sitting very low in the mix. Then there are added synth horns – if you ask yourself, if they can ever sound not cheesy, then listen to this track! – and swelling bassdrops that remind one of Jamie XX’s post-dubstep. 8896 turns to the darker side again without repeating the recipe of the opener. Dancing is a sad closer about a difficult relationship that slowly ascends into a brooding, almost noisy finale to the best four songs I have heard in the last couple of months.
The recent scouse exports seem to up the notch. I love that about my former home and the city’s music scene deserves a lot more credit and attention. It’s not all about London. What was true for guitar music is now definitely also true for the hip and cool electronic singer-songwriter stuff that keeps bubbling strong in the UK music scene.
I’ve always been an understudy
I know you would never love me
There’s something romantically looming and haunting in Låpsley’s sound that manages to set her apart well enough from other peers like Kwabs or her labelmate FKA Twigs to make her unique. It’s the perfect soundtrack for those dark winter days where sunlight seems to be a memory of the distant past and candles, wine and cigarettes are all that can comfort you to sleep.
If this is any indication of what there is still to come, her album should be hotly tipped for this years Mercury Prize. If it doesn’t arrive this year, then I will be heartbroken but I’ll already know what I’ll be looking out for in the year ahead!
Låpsley – Understudy EP is out now via XL/Beggars.
Pick up a copy here (physical) or here (digital)!
Apologies, I Have None‘s debut “London” is probably one of my favourite punkrock-something-records of recent years. So, naturally, I’ve been waiting for something new from then since basically the end of 2012. This friday (May 9th), the guys finally fulfill my wish: “Black Everything”, an EP with four new songs, will be out here in Germany as a pretty black 12″ LP (yeah, I know, the download is available for weeks already… shush!). Continue reading Apologies, I Have None – Black Everything→
Back in the early 2000s, a time when the Strokes started reintroducing hip kids and students to rock again, London and the UK had a lot to offer musically. Incited by their New York counterparts, British bands took to their guitars and remembered the great heritage in British music. Gang of Four, Joy Division and the Smiths were back on everybodies lips again. Bands like Maximo Park, Arctic Monkeys, the Futureheads or the Libertines were filling bigger and bigger venues even outside of their home country. Then it seemed as if everyone was fed up of guitars. It turned into a two horse race, spearheaded by singer-songwriter or electronic music. Hip-hop also made a strong return. I had lost focus a bit. Scottland did a great job of producing rock bands during that time – just think of Biffy Clyro, We Were Promised Jetpacks or Frightened Rabbit. But what about England? Continue reading Talking Pop: England’s burning (at least the midlands do!)→
”If you want to find your lover
I suggest you slide into the river
like the rat that you are”
When Spring Offensive announced their first LP, I was excited. I spent a great amount of time annoying my environment how brilliant this band is. Songs like The Well or A Shutter And A Start took me by storm. Their musical approach state as Indie, but more clever, as danceable, but sometimes depressing, as emotional, in the most positive meaning.
Sod all the other polls and tip sheets out in January – if you want something to pore over and actually get you excited about music in 2014, then read this.
So here we go again then. The wonderful english music tabloid NME has once again found the ones to watch for the new year. Here’s our take on the bands they think will make it big. Are they worth it? Should you care? Is there anything in there that’s exciting at all?
So when something like Knots happens, I tend to sit on my couch, lean back and think. I think about moments passed, about what will be, what won’t be and what could be. My eyes wander around my flat. I see my vinyl collection, I see my guitar and that itch in my fingers. I stare through the window. Is it raining? Is it sunny outside? I light a cigarette, maybe grab a cold beer from the fridge, open it, take a sip. I spent hours in the taillights, chasing highways through my mind. I can’t think of a better description of what is going on than the words used by Chris Wicky. Continue reading Crash of Rhinos – Knots→