Well hello there new song Sufjan! You’re giving us such pleasure. Who needs a proper video, when you can have a great new song and watch the small waves coming in at a stoney shore. This is the Sufjan we all started to love with his first albums. Heartwarming stuff!
Every band should deserve some sort of creative freedom. Every band should be granted the possibility of moving their sound in a different direction. Music is art nevertheless. And it’s an expression of artistic freedom to change the sound. ‘Hyperview’ should not come as a surprise to any fan of Title Fight. But if this is the direction the band is going, then I must admit that it’s not a direction that I will follow.
Fünf Tage lief nur Coldplay und jetzt komm Mickie Krause
Five days of only Coldplay but now it’s Mickie Krause
While masses of people run to demonstrations amid fear of a “muslimization” of the western world, politicians took a very long time coming to a consensus, that this behaviour is not acceptable, especially in Germany, with our history of, well, you know what I’m pointing at. There is a sense of lethargy, of ‘we-don’t-really-care-about-anything-else-than-our-private-life’, a growing numbness towards more news stories about war, suffering and pain all around the globe. It takes a horrible terrorist attack in our immediate periphery to be really shocked. But this shock only goes as far as telling your peers how upset you are or changing your facebook profile pic to show your support. But this is not really what people want, it’s just doing what is expected from a politically correct person.
Because you took something away from yourself
Come back to this world and take your heart to higher shelf
Is there such a thing as falling in love with a voice? Can you have a relationship with a person who you have never spoken to or seen in real life? I mean, can something like this really work? If it would, I’d totally fall for Holly Fletcher! The voice and brains behind Låpsley! Today she released her 4 track ‘Understudy EP’ and heck, it is one brilliant piece of music.
Lead track ‘Falling Short’ has been causing waves in the blogosphere for a couple of months now, and it was inevitable that some hot label would pick her up. It’s a tasteful recap of a breaking heart, completed by subtle piano chords, finger snapping and electronic beat fragments. Above all sits Fletcher’s voice. It’s so intimate that it could break the iceberg that sunk the Titanic. Second song ‘Brownlow’ picks up the same ingredients but adds haunting sounds and a life embracing organ sitting very low in the mix. Then there are added synth horns – if you ask yourself, if they can ever sound not cheesy, then listen to this track! – and swelling bassdrops that remind one of Jamie XX’s post-dubstep. 8896 turns to the darker side again without repeating the recipe of the opener. Dancing is a sad closer about a difficult relationship that slowly ascends into a brooding, almost noisy finale to the best four songs I have heard in the last couple of months.
The recent scouse exports seem to up the notch. I love that about my former home and the city’s music scene deserves a lot more credit and attention. It’s not all about London. What was true for guitar music is now definitely also true for the hip and cool electronic singer-songwriter stuff that keeps bubbling strong in the UK music scene.
I’ve always been an understudy
I know you would never love me
There’s something romantically looming and haunting in Låpsley’s sound that manages to set her apart well enough from other peers like Kwabs or her labelmate FKA Twigs to make her unique. It’s the perfect soundtrack for those dark winter days where sunlight seems to be a memory of the distant past and candles, wine and cigarettes are all that can comfort you to sleep.
If this is any indication of what there is still to come, her album should be hotly tipped for this years Mercury Prize. If it doesn’t arrive this year, then I will be heartbroken but I’ll already know what I’ll be looking out for in the year ahead!
And all I’ve wanted my whole damn life is something like this to materialise
and all I’ve wanted my whole damn life is love and luck to collide
all I’ve ever needed is to be part of something meaningful
all I’ve ever wanted is to leave this world more
(The Smith Street Band – I Love Life)
It was sometime in the late summer of last year. Me and a few other guys, some of which I hardly knew, crammed into a small car and drove to Bielefeld. If you have ever been there, you probably know that this is not a city where you most likely want to spend a nice evening. But we had a goal: Together with two or three local bands, the amazing Apologies, I Have None were set to play at a youth centre. And they did, they did very well indeed. The highlight of the evening was another band, though: The Smith Street Band from Melbourne, Australia.
I call you function, it’s a reference to formulaic happiness.
The last few months must have been pretty horrific for Atlas At Last. Compared to the DC trios selftitled debut EP from 2013, A Composition of Functions is a big leap into darker territories. Sonically the four songs are noisy, raw and brutal, to say the least. While its predecessor wasn’t necessarily a happy affair per se, it managed to pair walls of distorted guitars with great melodies and harmonies. This time, the melodies haven’t disappeared, they are just buried a lot deeper in the mix.
What have you done to me? I knew I was a sucker for sweet pop music even before you blew my mind with your infectious hooks and your quirky attitude – ok, let’s face it, sometimes you look a little bit like a dork. But I don’t care, because I mean that in a cute way. The way you sing songs about all your ex-boyfriends makes everyone go a little “aww” for you. But, I mean, you’re always the one coming out top of these summer flings, highschool-love-affairs. I love that.