Every band should deserve some sort of creative freedom. Every band should be granted the possibility of moving their sound in a different direction. Music is art nevertheless. And it’s an expression of artistic freedom to change the sound. ‘Hyperview’ should not come as a surprise to any fan of Title Fight. But if this is the direction the band is going, then I must admit that it’s not a direction that I will follow.
Fünf Tage lief nur Coldplay und jetzt komm Mickie Krause
Five days of only Coldplay but now it’s Mickie Krause
While masses of people run to demonstrations amid fear of a “muslimization” of the western world, politicians took a very long time coming to a consensus, that this behaviour is not acceptable, especially in Germany, with our history of, well, you know what I’m pointing at. There is a sense of lethargy, of ‘we-don’t-really-care-about-anything-else-than-our-private-life’, a growing numbness towards more news stories about war, suffering and pain all around the globe. It takes a horrible terrorist attack in our immediate periphery to be really shocked. But this shock only goes as far as telling your peers how upset you are or changing your facebook profile pic to show your support. But this is not really what people want, it’s just doing what is expected from a politically correct person.
Because you took something away from yourself
Come back to this world and take your heart to higher shelf
Is there such a thing as falling in love with a voice? Can you have a relationship with a person who you have never spoken to or seen in real life? I mean, can something like this really work? If it would, I’d totally fall for Holly Fletcher! The voice and brains behind Låpsley! Today she released her 4 track ‘Understudy EP’ and heck, it is one brilliant piece of music.
Lead track ‘Falling Short’ has been causing waves in the blogosphere for a couple of months now, and it was inevitable that some hot label would pick her up. It’s a tasteful recap of a breaking heart, completed by subtle piano chords, finger snapping and electronic beat fragments. Above all sits Fletcher’s voice. It’s so intimate that it could break the iceberg that sunk the Titanic. Second song ‘Brownlow’ picks up the same ingredients but adds haunting sounds and a life embracing organ sitting very low in the mix. Then there are added synth horns – if you ask yourself, if they can ever sound not cheesy, then listen to this track! – and swelling bassdrops that remind one of Jamie XX’s post-dubstep. 8896 turns to the darker side again without repeating the recipe of the opener. Dancing is a sad closer about a difficult relationship that slowly ascends into a brooding, almost noisy finale to the best four songs I have heard in the last couple of months.
The recent scouse exports seem to up the notch. I love that about my former home and the city’s music scene deserves a lot more credit and attention. It’s not all about London. What was true for guitar music is now definitely also true for the hip and cool electronic singer-songwriter stuff that keeps bubbling strong in the UK music scene.
I’ve always been an understudy
I know you would never love me
There’s something romantically looming and haunting in Låpsley’s sound that manages to set her apart well enough from other peers like Kwabs or her labelmate FKA Twigs to make her unique. It’s the perfect soundtrack for those dark winter days where sunlight seems to be a memory of the distant past and candles, wine and cigarettes are all that can comfort you to sleep.
If this is any indication of what there is still to come, her album should be hotly tipped for this years Mercury Prize. If it doesn’t arrive this year, then I will be heartbroken but I’ll already know what I’ll be looking out for in the year ahead!
And all I’ve wanted my whole damn life is something like this to materialise
and all I’ve wanted my whole damn life is love and luck to collide
all I’ve ever needed is to be part of something meaningful
all I’ve ever wanted is to leave this world more
(The Smith Street Band – I Love Life)
It was sometime in the late summer of last year. Me and a few other guys, some of which I hardly knew, crammed into a small car and drove to Bielefeld. If you have ever been there, you probably know that this is not a city where you most likely want to spend a nice evening. But we had a goal: Together with two or three local bands, the amazing Apologies, I Have None were set to play at a youth centre. And they did, they did very well indeed. The highlight of the evening was another band, though: The Smith Street Band from Melbourne, Australia.
*This is not at all aimed at insulting a label or a person. It’s just a strong personal opinion on a record.*
Where should I start on this one? I should probably go right into a direct rant about how much I hate this album. So let’s do it. It’s fucking awful. It’s that plain and simple.
1. The album
66 minutes is a lot of time to ask from your listener these days. While the pop mainstream focuses on releasing single after single (Pitbull, Perry, Jessie J etc) new acts tend to throw out a couple of EPs before they tackle the album (Broods, Ryn Weaver, hell even in punk). Ariel Pink is passed the phase of a newcomer though, so fair play to him. He’s released a shitload of albums, eps and singles. Shitloads of every format.
Continue reading Ariel Pink – pom pom
because in my room now, i feel so divine
not a worry running through my mind
As kids we used to play in sandboxes, build castles and towers only to destroy them with pure force. Our parents would say that this was just a boy thing. Some way down the line we learned to control this anger or the lust for destruction and channeled it into something else. Nowadays I find myself sitting in a pub on a night out with my friends and a ever growing urge to smash my bottle or glass of beer against the wall or on the floor. I imagine the glass shattering into thousand little pieces. And I picture the smile on my face while doing so.
You could call it immature. And maybe you even find this a little disturbing. But I reassure you that I’m or never was a violent one. I’m hardly ever angry at someone for more than five minutes. My fuse is very long and very hard to ignite. But I feel this urge for destruction is kind of human. It’s part of us, embedded in our dna and we are always looking for an outlet.
I feel the most alive when it’s all falling apart
Winter is approaching quite relentlessly these days. And while the days have more or less become nights the city is becoming increasingly bleak. I was talking to a friend the other day and he was saying that winter depression hasn’t hit him yet. For my part, I’m trying to comfort myself at home more than I would during summer. And I’m naturally adjusting my listening habits. Courtesy Drop have just arrived in time for this change! Their new EP Stabilize is just what you will need, when the cold and dark nights are coming your way!